Tan Pin Pin

Tan Pin Pin is an award-winning Singapore film director who has spent over two decades chronicling her country’s history, memory and representation in thoughtful and self-reflexive works that have screened theatrically in Singapore and abroad. Her works have been invited to key film festivals: Berlinale, Busan, Hot Docs, SXSW, Visions du Reel and at the Flaherty Seminar. Nearer home, they have been presented at M+, Parasite, CUHK, Rumah Attap, Sa Sa Art Projects, on Singapore Airlines, Jakarta Biennale and on Netflix. Her work has been honoured with mid-career retrospectives at RIDM in Montreal, Liberation Docfest in Bangladesh and Dok Leipzig. Pin Pin started her career in the arts as a photojournalist. When video cameras became more affordable, she made the leap to the moving image after being moved by Taiwanese auteur’s Hou Hsiao Hsien’s City of Sadness. Inspired, she made her first film, Moving House (1996) using borrowed cameras. It is about the exhumation of her great-grandparent’s graves and their remain’s subsequent move to a columbarium. The film got her her first film job as an assistant director for the police drama, Triple Nine, and latterly, a scholarship to study film at Northwestern University, USA. Her graduation film won a Student Academy Award.